Photo © Universal Pictures. Amy Schumer and Bill Hader star in Trainwreck.
Trainwreck is the latest Judd Apatow-directed comedy to hit the big screen. As a director, Apatow’s smashing success in the comedy realm includes The 40-Year-Old Virgin, Knocked Up, Funny People and This is 40. In the producer role, he has had a hand in a long string of other hit comedies including Bridesmaids, Superbad, Forgetting Sarah Marshall, Pineapple Express, and he is known as a pioneer in the “bromantic comedy” genre.
This time around, Apatow has built a film around a female lead. In Trainwreck, Amy Schumer, who also wrote the script, plays a semi-autobiographical character who is extremely commitment-phobic, tending to sabotage any budding relationship. When she meets a good man, she must face her fears. The cast also includes Tilda Swinton, Bill Hader, Brie Larson, Colin Quinn, Marisa Tomei, and LeBron James. The shoot was mounted in New York City over the course about 53 days.
Dwight Chalmers filming on Route 66. (credit: Angela Carpenter)
Dwight Chalmers is filmmaker and musician who divides his time between professional sound work for movies and television, and small, personal films. His most recent short film is Dim the Lights, an impressionistic collage that serves as a travelogue for a recent trip from the Midwest to the Pacific Ocean along the old Route 66. The film’s audio track includes original music along with sounds and ambiences gathered and edited by Chalmers.
“At first, there were two sides to my love for sound,” says Chalmers. “One was recording bands, and the other was collecting ambiences. For years, I have gone out and recorded interesting sounds – crickets, open air spaces, air conditioners, a soda machine with a strange buzz. Twenty years later, I might use sounds from that library on a project like Dim the Lights.”
Scene from “Every Breaking Wave” (credit: Steven Annis)
“I’m a believer in organic filmmaking,” he says. “I like to give my interpretation in the moment. If you’re surrounded by good production design, and you have a good director, cast, grader and editor, everything just seems to happen. It's a perfect balance between just enough planning and the director letting his/her actors go, and then you being there to capture organically."
Annis is an in-demand cinematographer who specializes in unique imagery for music videos and commercials. His recent credits include clips for Florence and the Machine, KWABS, Bryan Ferry and Gary Clarke Jr. and commercials for Powerade, UNIQLO, Sony and Adidas.
Scene from "Digging for Fire". Photo by Ben Richardson/Courtesy of The Orchard.
Joe Swanberg and Ben Richardson have made three movies together – Drinking Buddies, Happy Christmas, and now Digging for Fire. The film is a dramedy, co-written with Jake Johnson who also stars in it, about a man in a mid-wife crisis and a woman trying to figure out where mother/wife ends and she begins.
“We've got a good shorthand going at this point,” Richardson said, “which makes us pretty efficient with shot design. So, this time we decided to go all the way and shoot 35mm with the camera on the dolly.”
Scenes from Umrika. (Photos by Petra Korner)
Cinematographer Petra Korner’s latest feature, Umrika, starts out in a small mountain village in India in the mid-1970s. When Ramakant, a young boy from the village who discovers that his brother – long believed to be in America – has actually gone missing, he begins to invent letters on his behalf to save their mother from heartbreak, while setting out on a journey to find him.
The script has humorous and dramatic aspects, but Korner and director Prashant Nair agreed that it should be photographed with a classic dramatic approach.