VISION3 200T Color Negative Film 5213/7213 (Page 2)

The Fishtail Basin Ranch Gets Its Story Told on Film

Fishtail camera set up by Joe Anderson

On an expansive rural ranch, director Andrew Renzi stood before the majestic Montana landscape to capture a serene study of the cycle of life for the documentary Fishtail. Rancher Tylee Abbott runs a full head of cattle here. Abbott is also a Western American art dealer. It's in his blood — he is kin to painter William Tylee Ranney, whose brush strokes immortalized old trappers, wide prairies and landscapes.

“I have a lot of love and appreciation for that way of life,” says Renzi, who in his youth worked on Abbott's ranch during summers. “Tylee and I came together with this idea of doing a contemporary re-appropriation of traditional Western American art into the film medium. I wanted to make a documentary that was observational and sort of ethereal through exploring subject matter, like the birthing of cows, to give us a sense of life cycle rather than have it be strictly procedural about what people do on a ranch. It is something we hope that people can soak in and surrender to its pace.”

Dan Mindel Eyes The Amazing Spider-Man 2

Andrew Garfield stars as Spider-Man in Columbia Pictures' "The Amazing Spider-Man 2," also starring Emma Stone. (Photo By: Niko Tavernise) Copyright: ©2013 CTMG. All Rights Reserved.

Cinematographer Daniel Mindel, ASC, BSC is known for lending a sense of realism to big-budget fantasy films like Mission Impossible III; Star Trek and Star Trek Into Darkness. His latest adventure is The Amazing Spider-Man 2, in which Peter Parker (Andrew Garfield) must face off against a roster of supervillains while trying to work out his adolescent angst. The cast also includes Emma Stone, Jamie Foxx, Paul Giamatti, Campbell Scott and Sally Field.

Director Marc Webb returns to the director’s chair, fortified by the success of The Amazing Spider-Man. That film was shot native 3D, but this time around, the origination medium was Kodak 35mm anamorphic film.

Deshaies and Bonello Reunite for Saint Laurent

Photo by Carole Bétuel © Mandarin/Europacorp.

Saint Laurent chronicles 10 years in the life of designer Yves Saint Laurent, beginning at age 30. It sheds light on his genius, as well as on his darker side. Co-produced by EuropaCorp and Mandarin Cinéma, the film reunites cinematographer Josée Deshaies and writer-director Bertrand Bonello.

Deshaies, a native of Montreal, Canada, got her first job as a director of photography with Bonello, a French director, on Qui je suis in 1996. This led to collaborations between the two that would span more than 18 years and five critically acclaimed feature films including Something Organic, The Pornographer, On War, Tiresia, and House of Tolerance.

“Troubles” Avoided for Syfy’s Haven in Nova Scotia

A scene from Haven. (Photo: Michael Tompkins)

The Syfy series Haven, based on the Stephen King novella The Colorado Kid, takes viewers to the mythical town of Haven, Maine. There the series follows FBI agent Audrey Parker (Emily Rose), who arrives in town to follow a routine case but soon finds herself caught up in the town’s many mysteries. Audrey quickly discovers that Haven is a longtime refugee for people affected by a range of supernatural afflictions known as “Troubles,” and she herself has a surprising connection to the town.

The series, which just completed its fourth season, is shot entirely in Nova Scotia, Canada, in and around the town of Chester. When the decision was made to shoot in Nova Scotia, Executive Producer Shawn Piller (Stephen King’s Dead Zone, Greek) turned to cinematographer Eric Cayla, CSC, whom he had worked with on a previous series.

Ask a Filmmaker: David Dart, NFL Films - Answers

Ask_A_Filmmaker-Dave_Dart-NFL.jpg
David Dart, NFL Films staff cinematographer

The questions are in and the answers are back! A big Thank You to NFL Films cinematographer Dave Dart for taking the time during playoffs to answer questions from our readers! You all came up with some great ones with topics including focus pulling, film stock preference, shooting style, and the romanticism of football on film.

There's a reason NFL Films has won over 100 Emmy® awards, and here's a sneak peak at how they do it!

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